Monday, 12 August 2013

Body of work - Our liminal state

My work here offers us a glimpse of the space in which we, in the physical body, exist - in the presence of something earthly and the surroundings of the eternal. We subside in this liminal space between consciously existing and non-existence   from the moment we are born.
 If we are condemned to life we are simultaneously obligated to be free from the structures imposed upon us because we are primitively constructed as ourselves, with the liberty to become ourselves.
 In the paintings we can now begin to choose, for ourselves as individuals, what it is we want to see, to believe, without a pre-conditioned or pre-existent element of choice – we may now begin to question, or we will forever dwell in the liminal shadows of nothingness.
















 

Thursday, 2 May 2013

Personal Statement: Our Liminal State


We are born into this world with, unquestionably, no knowledge of any aspects of life- organically and neutrally constructed. Our life begins to play out and structures are brought upon us that we could not yet possibly have the means to evaluate or reflect on. As we grow we conform to these teaching that have been forced upon us: these teachings are to be the foundations of how we now live our lives.

As we remain the passive bystanders disillusioned by each other’s presuppositions; we begin to lose ourselves, becoming just another obscured face. Deceived by life’s pleasures and sensualities we are happy to remain ignorant of our indefinite essence, finding it easier carry on with the convenience of the everyday life - we are the universal victims of despair.

The work here offers us a sight of the space in which we, in the physical sense, exist. In the presence of something earthly and the surroundings of the eternal, we subside in this liminal space between consciously existing and non-existence from the moment we are born, condemned to it while also obligated to be free from it. Condemned because we are all born neutrally and then corrupted. Obligated because we are primitively constructed as ourselves, to become ourselves.

We must now begin to choose, for ourselves as individuals, what it is we want to believe, to become, to do and to see; with no pre-conditioned or pre-existent element of choice, or we will forever dwell in the liminal shadows of nothingness.

Sunday, 31 March 2013

Francis Bacon - liminal realization


'The following is an extract from a conversation Between Francis Bacon and David Sylvester.
It is, if one may say so, Bacon's profound realization of his own liminal style of Painting, the characteristics of  both abstract and figurative painting, and the nature of paint itself'.


7 head 1 1961

"For instance, the other day i painted the head of somebody, and what made the sockets of the eyes, the nose, the mouth where, when you analysed them just form which had nothing to do with the eyes,nose or mouth; but the paint moving from one contour to another made a likeness of this person i was trying to paint. i stopped; i thought for a moment i'd got something much nearer to what i want. then the next day i tried to make it further and to make it more poignant, more near, and i lost the image completely. Because this image is a kind of tightrope walk between what is called figurative painting and abstraction. it will go right out from abstraction but will really have nothing to do with it. It's an attempt to bring the figurative thing up to the nervous system more violently and more poignantly".

Monday, 25 March 2013

'The Self' - Finitude's Despair

The following is an extract from Soren Kirekegaard's  - 'Sickness unto Death', it is Kierkegaard's attempt to show us the self as a synthesis, constructed from many polarities, and how each polarity has a dialectic opposite. Here he describes finitude's Despair of Lacking its opposite infinitude, and how this can lead to a false makeup of  'the self '.   


To lack infinitude is despairing confinement, narrowness.Despairing narrow-mindedness is to lack primitiveness, or to have stripped oneself of one's primitiveness, from a spiritual point of view to have emasculated oneself. for every human being is primitively organized as a self, characteristically determined to become himself

While infinite's despair is ones which leads oneself into the infinite and loses itself in not being ground by the finite, here we have another kind of despair which allows itself to be, so to speak, cheated on its self by 'the others'. by seeing the multitude of people around it, by being busied with all sorts of worldly affairs, by being wise to the ways of the world, such a person forgets himself, dares not to believe in himself, finds being himself to risky, finds it much easier and safer to be like the others, to become a copy, a number, along with the crowd.

Now this form of despair goes practically unnoticed in the world. Precisely by losing himself in this way, such a person gains all that is required for a flawless performance in everyday life, yes, for making a great success out of life. Far from anyone thinking he is in despair, he is just what a human ought to be. Naturally the world has generally no understanding of what is truely horrifying. The despair that not only dose not cause any inconvenience in life, but in fact makes life convenient and comfortable, is naturally enough in no way regarded as despair. That this is the worldly view is evident, among other things, from early all the proverbs, which are nothing but rules of prudence.

For example, it is said that one rues then times having spoken, for the one time one rues in silence, and why? because the external fact of having spoken can involve one in disagreeable consequences, since it is something actual. But to have kept silent! yet this is the most dangerous of all. for in staying silent a person is thrown wholly upon his own devices, here actuality dose not come to his aid by punishing him, by heaping on him the consequences of his words. but for that very reason the person who knows the true object of dread fears more than anything, any fault, that leaves an inward turn and leaves no trace on the outside world. the world thinks if is dangerous to venture in this way, and why? because one might lose; The prudent thing is not to venture. and yet by not venturing it is so dreadfully easy to lose what would be hard to lose by venturing and which, whatever you lost, you will in any case never lose in this way, so easily, so completely, as thought it where nothing - oneself!
For if i have ventured wrongly, very well, life then helps me with its penalty, but if i haven't ventured at all, who helps me then? and when, in the bargain, by venturing in the highest sense i cravenly gain all earthly advantages - and lose myself!..

And finitude's despair is just so. A man in this kind of despair can very well live on in temporality; indeed he can do so all the more easily, be to all appearances a human being, praised by others, honored and esteemed, occupied with all the goals of temporal life. Yes, what we call worldliness simply consists of such people who pawn themselves to the world. They use the abilities, amass wealth, carry out worldly enterprise, make prudent calculations, etc., and perhaps are mentioned in history, but the are not themselves.

-Soren kierkegaard


Friday, 22 March 2013

The self- existing

Man is born ethically neutral, hes is then corrupted at youth by false teachings that are forced upon him which he cannot yet have the means to evaluate or reflect on . therefor man is not yet himself, for he is conforming to teachings which he himself has not chose, therefor all of man is in despair. despair of not being oneself and not being able to rid himself of himself. in order for man to ascertain his true sense of self he must now rid himself of himself, question and re-evaluate everything he has ever learned and choose for himself what it is he is to be, for everything is mans own choice. By doing this man may now define his own essence in accordance to his true self, and in doing so may now truly feel what it means to exist.

- self reflection   

Sunday, 17 March 2013

Existing

" Heidegger knows. as did kierkegaard, the intensity of man's anxiety to feel and know that he exists, and that is the root of all his anxieties". - John-Paul Sartre

Thursday, 14 March 2013

The Ambiguity of what Self?




This piece push's the notion of minimalism, it is an Eradication of all sense of object or life and plays with the notion of one’s interaction with the work  becoming an essential. Using multiple layers of all type of varnish’s and mediums  it exudes a highly reflective surface in selected places within the work, that when one looked upon one may see one’s self and therefore be within the space of the piece (within nothing) and in other spots would lose the reflection so one may glimpse themselves in the reflection but as the viewer analysis’s the piece they lose themselves and begin looking again.
The work is  much more physical, material based and literal  as opposed to the psychological thought of space and being that can evoke one's imagination and thought. 


'Meaning' - (Existential)



"What I really need is to get clear about what I must do, not what I must know, except insofar as knowledge must precede every act. What matters is to find a purpose, to see what it really is that God wills that I shall do; the crucial thing is to find a truth which is truth for me, to find the idea for which I am willing to live and die. (...) I certainly do not deny that I still accept an imperative of knowledge and that through it men may be influenced, but then it must come alive in me, and this is what I now recognize as the most important of all".
—Søren Kierkegaard

Tuesday, 12 March 2013

Breaking the Ice - The Saatchi Gallery


BREAKING THE ICE: MOSCOW ART 1960-80s - THE SAATCHI GALLERY

Exhibition: Gaiety Is The Most Outstanding Feature Of The Soviet Union., 12th November 2012 - 9th June 2013.

'Janis Avotins' is one of many artist's who are all part of a current group exhibition in The Saatchi. this exhibition mainy concists of artists who work illustrate's the authentic effects on post-soviet survivors.

Avotins thinly  painted canvases draw us into a fragile world haunted by collective memory. often using a minimlistic, monochromatic aesthetic reminiscent of fellow latvian artist Vija Celmins, Avotins' washes and technique blur and erase the specificity of his subjects, imbuing them with an air of mystery  the figures are phantom-like, in a state of tension somewhere between sketchily existing and melting into the background. A 'lininal' state of 'being'

A thin, imprimatura wash of dark oil paint stains the canvas's weave and lint-flecks to create a gauzy, grainy, speckled effect – like looking into fog or falling ash. Isolated forms and figures emerge – ghostly, luminous, sometimes oddly solarised: the result of leaving areas of canvas wispish and unshaded.



 These images  playfully engage with the relationships between analogue photography, the way history can edit and turn individuals anonymous, and with our own collective memory-making – impressions fading in and out of existence.



In one work here work, a ghostly, isolated right hand is placed exactly in the middle of a canvas, becoming the mysterious central focus within an overwhelming nothingness. In the other works, singled out yet unrecognizable figures appear framed by a similar vacuum, soaked in washes accompanied by the symbolic material presence of the canvas’s grain. Recent compositions include architectural elements, but figures remain phantom-like, in a state of tension somewhere betweensketchily existing and melting into the background.

Despair

"The torment of despair is precisely the inability to die'. 'Thus to be sick unto death is t be unable to die, yet not as though there were hope of life. no, the hopelessness is that even the last hope, death is gone. when death is the greatest danger, one hopes for life. But when one learns to know the even more horrifying danger, one hopes for death. when the danger is so great that death has become the hope, then despair is the hopelessness of not even being able to die"- Soren Kierkegaard- 'the sickness unto death'