This is an attempt at eradicating all figures from the composition. It instantly feels to
be the way forward. The dismissal of the figure now allows the viewer to engage with the piece and imagine themselves within the depiction, a fundamental characteristic when dealing with individual persons subjective fear. however still seeing the tunnel leaves the
viewer with a sense of comfort in knowing where one is. I must begin to
push this concept of 'nothing' and 'not knowing' further.
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