The following body of work is an attempt to eradicate everything that should give the viewer any sense of place or identity, it takes the minimalist approach in trying to tap into the idea of the liminal 'nothingness'
These works are removed from almost all sense of representation in order to offer more uncertainty to the viewer, and to eradicate any sense of belonging and eliminate any feeling of comfort the viewer may find in correlation to an object within the composition.
The works emulate so much ambiguity that the style of painting itself is now also in the liminal phase between abstract and representational art.
These works offer the viewer a glimpse of what they may interpret as an everyday object and the uncertainty of it ‘being’ or ‘not being’ while capitulating themselves to the psychological space around these objects and offering them a taste of the liminal nothingness that may lie
ahead of them, reminding them
of the 'fragility' and scarceness of
of ones life.
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